"Nazi and blasted communist!"
The upper floor curved towards the centre and from downstairs they noted a corresponding bend in the two main beamsShama thought that the floor curved because the inner verandah wall it supported was made of brick
"We'll knock it down," Shama said, "and put a wood partition
"Knock it down!" Mr"Be careful you don't knock down the houseFor all we know it is that same wall which is keeping the whole damned thing standing
Anand suggested a pillar rising from the drawingroom downstairs to support the sagging beams
Soon they began to keep their discoveries secretAnand discovered that the square pillars of the front fence, so pretty with Morning Glory, were made of hollow bricks that rested on no foundationThe pillars rocked at the push of a fingerHe said nothing, and only suggested that the mason might have a look at the fence when he came
The mason came to build a concrete drain around the house and a low sink below the tap at the backHe was a squat Negro with catlike whiskers and he sang
omega geneve continually:
_There was a man called Michael Finnegan_
_Who grew whiskers on his chin again
His gaiety depressed them all
Daily they moved between the hostile Tulsi house and Sikkim StreetThey became short-temperedThey took little joy in the morris suite or the rediffusion set
"'I will leave the rediffusion set for youBiswas said, mimicking the solicitor's clerkIf I don't see you roasting in hell!"
The rental of the rediffusion set was two dollars a monthLandrent was ten dollars a month, six dollars more than he paid for his roomRates, which had always seemed as remote as fog or snow, now had a meaningLandrent, rediffusion set, rates, interest, repairs, debt: he was discovering commitments almost as fast as he discovered the house
Then the painters came, two tall sad Negroes who had been out of work for some time and were glad to get a job at the very low wages MrBiswas had to borrow to pay themThey came with their ladders and planks and buckets and brushes and when Anand heard them jumping about on the top floor he became anxious and went up to
omega seamaster de ville reassure himself that the house was not falling downThe painters did not share Anand's concernThey continued to jump from plank to floor and he was too ashamed to tell them anythingThe fresh distemper made the long, ominous crack in the verandah wall clearer and more ominousWhile the rediffusion set filled the hot empty house with light music and bright commercials, the painters talked, sometimes of women, but mostly of moneyWhen, from the rediffusion set, a woman sang, as from some near but inaccessible city of velvet, glass and gold where all was bright and secure and even sadness was beautiful:
_They see me night and day time_
_Having such a gay time
_They don't know what I go through -- _
one painter said, "That's me, boyLaughing on the outside, crying on the inside Yet he had never laughed or smiledAnd for Anand the songs that came over and over from the rediffusion set into the hollow, distemper-smelling house were forever after tinged with uncertainty, threat and emptiness, and their words acquired a facile symbolism
bolsas prada which would survive age and taste: "Laughing on the Outside", "To Each His Own", "Till Then", "The Things We Did Last Summer"
And more expense was to comeSewer pipes had not been laid down in this part of the city and the house had a septic tankBefore the painters left, the septic tank became chokedThe lavatory bowl filled and bubbled; the yard bubbled; the street smelledSanitary engineers had to be called in, and a new septic tank builtBy this time the money MrBiswas had borrowed had run out altogether, and Shama had to borrow two hundred dollars from Basdai, the widow who took in boarders
But at last they could leave the Tulsi houseA lorry was hired -- more expense -- and all the furniture packed into itAnd it was astonishing how the furniture, to which they had grown accustomed, suddenly, exposed on the tray of the lorry in the street, became unfamiliar and shabby and shamefulAbout to be moved for the last time: the gatherings of a lifetime: the kitchen safe (encrusted with varnish, layer after layer of it, and paint of various colours, the
omega 18k watch wire-netting broken and clogged), the yellow kitchen table, the hatrack with the futile glass and broken hooks, the rockingchair, the fourposter (dismantled and unnoticeable), Shama's dressingtable (standing against the cab, without its mirror, with all the drawers taken out, showing the unstained, unpolished wood inside, still, after all these years, so raw, so new), the bookcase and desk, Theophile's bookcase, the Slumberking (a pink, intimate rose on the headrest), the glass cabinet (rescued from MrsTulsi's drawingroom), the destitute's diningtable (on its back, its legs roped around, loaded with drawers and boxes), the typewriter (still a brilliant yellow, on which MrBiswas was going to write articles for the English and American Press, on which he had written his articles for the Ideal School, the letter to the doctor): the gatherings of a lifetime for so long scattered and even unnoticed, now all together on the tray of the lorryShama and Anand rode with the lorryBiswas drove the girls; they carried dresses which would have been damaged by
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